|
Celia Cruz
Celia Cruz was one of the most respected vocalists
of Latin music. One of fourteen children, she was born in
little Barrio Santra Suarez, Havana. Her first pair of shoes
was given to her by a tourist she sang for. Besides spending
many nights singing her brothers and sisters to sleep, Cruz
sang at school concerts and at community gatherings.
Taken to cabarets and nightclubs by an uncle, she was introduced
to the world of professional music. A cousin talked her into
entering a young talent show, which she won. Although her
father tried guiding her towards a teaching career, she continued
to be tempted by music. In a 1997 interview she said: "I
have granted my father’s wish of my being a teacher:
through my music I teach generations of people about my culture
and the joy one can get out of simply living life. As a singer,
I want people to feel their hearts sing and their spirits
fly!
After signing up at the Cuban Music Conservatory in 1947,
Cruz found her earliest inspiration in the song of Afro-Cuban
vocalist Paulina Alvarez. Her first big break came when she
was invited by the band La
Sonora Matancera in 1950. At that time, the group was
considered to be the equivalent of the Duke Ellington Orchestra.
Cruz continued singing with the group for the next fifteen
years, touring the world. She married the band’s trumpeter,
Pedro Knight, on July 14, 1962.
After the triumph of the Cuban revolution in 1959, Cruz and
Knight refused to return to their country and became American
citizens. Although they initially signed on with the Hollywood
Palladium orchestra, Cruz and Knight settled in New York.
Knight became Cruz’s agent in 1965, a position he had
until the 90’s, when he began paying more attention
to his work as musical director and conductor of Cruz’s
band.
Shortly after leaving Sonora Matancera in 1965, Celia launched
her solo career with a band formed by herself along with Tito
Puente. Despite having made eight records together, their
work together had no commercial success. Cruz and Puente got
together again on the stage for a special appearance at the
Grammy Awards presentation in 1987.
After signing with Vaya, Fania’s sister label, Cruz
recorded with Oscar
D'León, Cheo
Feliciano and Héctor Rodríguez in the mid
and late sixties. Cruz’s first hit after leaving Sonora
Matancera came in 1974 when she recorded an album duet, Celia
and Johnny, with Johnny
Pacheco, trombonist and co owner of Fania. She then began
appearing with the Fania
All Stars. Cruz’s popularity reached its highest
peak when she appeared in the 1992 movie, "Los Reyes
del Mambo". Cruz also appeared on the movie, "La
familia Pérez", and sang a version of "Loco
de Amor" for the duet with David Byrne in Jonathan Demme’s
movie, Totalmente Salvaje (Something Wild).
In 1998, Cruz made Duets, an album in which her songs with
Willie Colon, Angela
Carrasco, Oscar D'León, Jose Alberto "El Canario"
and La India stand out.
Cruz continued recording and performing until she was attacked
by a brain tumor in 2002. While recovering form the operation
which had removed the tumor, she managed to record "Regalo
de Alma" in the studios in early 2003. Her operation
was only partly successful and Celia Cruz died on July 16,
2003. The death of the "Queen of Salsa" left a
great void in the music world. But also a notable curriculum
with which to document her reign.
« Back
|
|
| |
|

| |
|
Year |
Album |
| 1958 |
La Incomparable
Celia |
| 1966 |
Son con Guaguancó |
| 1978 |
Brillante |
| 1981 |
Celia & Willie |
| 1987 |
The Winners |
| 1988 |
Ritmo en el Corazon |
| 2000 |
Siempre Vivire |
| 2001 |
La Negra Tiene
Tumbao |
|
|