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Ismael Rivera
Ismael Rivera was born in Santuce, Puerto
Rico, on October 5, 1931. When he was youg he was exposed
to the influences that led him to his musical destiny. Firstly,
his mother Margarita, kindled his love for music. And then,
his childhood friend, Rafael Cortijo, gave Rivera the impulse
and direction as well as a more structured musical discipline
in order for him to obtain his vocal style. The relationship
between the two resulted in the sounds of Calle Calma, and
after Puerto Rico, it reached the world at large and would
immortalize their names and music in the evolution of Latin
music and salsa.
In 1954, Ismael Rivera and Cortijo recorded their first hit
"El Bombón de Elena". Since the mid fifties,
Cortijo and his combo, with Rivera as singer, took on the
Caribbean. At the turn of the decade, they traveled to New
York for the fist time and it did not take them long to solidify
their position in the growing Latin music scene in Manhattan.
Their popularity was due to their rhythmic sound and the ability
to play great music and entertain with their dance routines
at the same time.
However, the only factor separating Cortijo and his combo
from all other Latin dance bands and songs was Rivera’s
voice. A key ingredient for the sounds of the bomba
and plena of Puerto Rico are the vocal parts and the Maelo
voice. With a rhythmic but equally spontaneous voice, Ismael
Rivera was a master of the Cuban son.
He took on the title "El Sonero Mayor" by none other
than Beny Moré,
legendary Cuban singer. The title not only enhanced Maelo’s
great talent, but also showed how Latin music at that time
was beginning to mix all the musical traditions of America
in one: salsa. Ismael Rivera incarnates a mixture of the Puerto
Rican bomba and plena traditions with the vocal style of the
Cuban son.
After his successful trip to the U.S. however, Cortijo lost
his singer when Rivera began to do prison time (5 years) due
to drugs. Maelo later sang a song on his experience in prison,
titled "Las Tumbas", due to the Kentucky prison
which has various underground floors.
After four years, Rivera was anxious to get back to singing
with Cortijo, but the clubs would not book shows with the
Latin musician whose past they could not forget. Cortijo and
Rivera were on a changed Latin musical scene which forced
them to go their separate ways. "El Sonero Mayor",
however, continued recording some of his best material with
his own band, los Cachimbos, and showing that his talent was
better than ever. In the seventies, Rivera was considered
a legend from another time and he helped a few young musicians
start out in the New York salsa scene, including Ismael Miranda
and Rubén Blades.
« Back
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Year |
Album |
| 1965 |
¡Bienvenido! |
| 1968 |
De Colores |
| 1971 |
Lo Último
en La Avenida |
| 1972 |
Esto Fue Lo Que
Trajo El Barco |
| 1974 |
Traigo de Todo |
| 1978 |
Esto Sí
Es Lo Mío |
| 1991 |
La Leyenda Continua |
| 1993 |
Fiesta Boricua |
| 1995 |
Ismael Y Cortijo |
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