|
Pérez Prado
Hailed the Rey del Mambo (the Mambo King)
the Cuban arranger and band leader Damaso Pérez Prado
was fundamental in creating the base of this sound. He began
in the 40’s, blending Cuban music with jazz elements
of the big bands to form a catching and highly danceable hybrid.
Having been known in the beginning as pianist and arranger
in the Cuban Orquesta Casino de la Playa, Prado’s popularity
spread to México, Latin America and in the 50’s,
to the U.S.
Given that his two number one hits, "Cherry Pink and
Apple Blossom White" and "Patricia," were more
pop than mambo, Prado
is sometimes unfairly remembered as an easy listening instrumentalist.
In fact, most of his material is made up of dance songs, sudden
bursts of sharp brass instruments, busy bongos
and sometimes, ghostly organs.
His irresistible and powerful rhythms were accompanied by
songs with great push and humor, punctuated by yells and grunts
by various members of the band. One of the most popular musicians
and leaders of Latin bands of his time, both in Latin America
and in the U.S., his innovations were also widely appreciated
by jazz musicians and fans. He was mostly forgotten by the
American audience after 1960, but remained active until his
death in 1989.
« Back
|
|
| |
|

| |
|
Year |
Album |
| 1951 |
Plays Mucho Mambo for Dancing |
| 1955 |
Mania |
| 1955 |
Voodoo Suite Plus Six All-Time
Greats |
| 1956 |
Havana 3 A.M. |
| 1957 |
Mambo Happy! |
| 1958 |
Prez |
| 1960 |
A Touch of Tabasco |
| 1961 |
La Chunga |
| 1962 |
Exotic Suite of the Americas |
| 1972 |
El Único |
|
|