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Willie Colón
Trombonist, composer and band leader, Willie
Colón was one of Latin American music’s pioneers.
Despite his initial critical reviews, Colón’s
album "El Malo" has become famous as one of the
first albums in showing the New York sound which rekindled
an interest in Latin music during the seventies.
In an article full of praise for Colón’s influence,
The Boston Globe writes "using trombones as guiding
instruments (instead of trumpets and flutes as was the norm
in Afro-Cuban groups); blending jazz, and typical jazz solos
and harmonies, Colón, together with pianist and band
leader, Eddie Palmieri,
defined the sound of salsa." Colón has had a
fundamental role in the careers of Latin musicians such as
Rubén Blades,
who was with Colón’s band in 1975 and Celia
Cruz, for who Colón produced some albums, such
as "Only they could have done this album" in 1977
and the highly successful duo "Celia y Willi" in
1981.
Colón also produced albums for Ismael
Miranda, Sophy, Soledad Bravo and the late Héctor
Lavoe, who sang with his band in the early 70’s.
Inspired by the music of various cultures, Colón recorded
with musicians such as Puerto Rican cuatro players, Yomo Toro
and David Byrne. Colón’s composition, "Che
Che Coli", an adaptation of a Ghanese children’s
song, was used by Ntozake Shange in the musical comedy "For
Colored Girls Who Have Considered Suicide When the Rainbow
Is Enuf". Besides eleven Grammy nominations and a Grammy
award, Colón has received the CHUBB award from Yale
University, the most prestigious award granted by the Ivy
League school. Colón stood for U.S. Congress, representing
New York’s 17th district in 1992
.
Having begun to play the trumpet at age 12, Colón switched
to the trombone two years later. His first recording took
place in 1967 for the Futura de Al Santiago record label,
which was unlucky as the label closed. Colón was much
more successful when he signed on with Johnny
Pacheco’s Fania label. When his singer couldn’t
go to Colon’s first recording session for the label,
Pacheco suggested Héctor Lavoe as a substitute.
This collaboration proved fruitful when two singles of Colón’s
first two albums (El Malo, Guisando) – "Jazzy"
and "I wish I had a watermelon" – became hits.
Lavoe continued being an essential band member in Colón’s
group until the mid-70’s when his growing addiction
caused him to miss or be late to various concerts. Although
his participation in the band formally ended in 1975, Colón
and Lavoe continued to work together. Lavoe’s last album,
Strikes Back, was released in 1987 and was produced by Colón.
In 1975, Colón added music theory, composition and
orchestration studies to his Latin Jazz All Stars directing
work. His growing knowledge apparently bore fruit. In 1978,
Colón was named musician, producer and trombonist of
the year in a reader’s poll organized by Latin New York.
Three years later, he received an award as "Musician
of the Year" and his album Fantasmas was named "Album
of the Year".
Although they met backstage before a concert in Panama in
1969, Colón and Blades did not work together until
five years later. When he was working on the record "The
Good - The Bad - The Ugly", Colón asked Blades
to sing his song "El Cazanguero", which reflected
Blades’s experiences as a law student working in a Panamanian
prison. The recording session was so satisfactory that Blades
went on to being a full time member of Colón’s
band, after Lavoe’s departure.
His album "Siembra" was the best selling album on
the Fania catalogue. Despite his success, Blades filed a complaint
against the company president Jerry Mascucci for money issues.
Although Colón recorded two solo albums –"
Baguine de Angelitos Negros" in 1977 and "Solo"
en 1979 – and Blades recorded "Maestra Vida"
in 1980 as a soloist, neither managed to be as commercially
successful as with their work together. In 1981, both musicians
got together once more when Blades sang back-up in "Fantasmas",
Colón’s soloist album.
The following year they collaborated in the Grammy winning
album "Canciones del Solar de Los Aburridos", which
included the hits "Tiburón", "Ligia
Elena", "Te están buscando". Their work
together ended after both worked on the movie "The Last
Fight". The separation did not end on good terms and
both continued upset with each other until they reunited for
a concert at the Hiram Bithorn in San Juan in March 1992.
Toward the end of the 80’s Colón formed a new
band, Legal Aliens, with younger musicians. After signing
on with Sony, Colón and his band recorded "American
Color" in 1990 and "Honra y Cultura" in 1991.
Two years later he recorded "Hecho en Puerto Rico",
with a multi-star band which included ex members of Fania
All Stars, Papo Lucca and Bobby
Valentín.
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Year |
Album |
| 1971 |
Cosa Nuestra |
| 1976 |
The Big Break-La Gran Fuga |
| 1976 |
The Good-The Bad-The Ugly |
| 1976 |
Metiendo Mano |
| 1978 |
Siembra |
| 1979 |
Solo |
| 1980 |
Doble Energia |
| 1982 |
The Last Fight |
| 1989 |
Altos Secretos (Top Secrets) |
| 1994 |
Singers of the Cibao |
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